Polar Bear - Polar Bear
Polar Bear: Polar Bear
Tin Angel Records
Release: 14 July 2008
The long-awaited third album from Sebastian Rochford’s trailblazing group does not disappoint. Polar Bear have recently been gigging material from the 75-minute disc, with themes varying from rich, reflective soundscapes to the frantic barrages of improvisation which captured the jazz world’s ears.
Leafcutter John’s electronic wizardry is more deeply embedded on the record than in live performances – he adds to the unpredictable nature of Rochford’s composition with an array of zaps, whirs, bursts of static and live samples that compliment the other musicians. The track “Industry” lives up to its name: clanking mechanical noise from John’s computer weaves a vibrant backdrop for the two saxophones’ finely-scored harmonic countermelody. Haunting vocals courtesy of Julia Biel feature in a couple of tunes, lending the band a Portisheadesque ambience on “Sunshine” and “Brian”.
As an artistic statement, Polar Bear seems calmer and more pensive than previous work. This intricately absorbing set possesses a new brand of vicious intensity. Rochford has solidified his position as a leading creative force in modern music.
< Published in London Tourdates, 8/8/08
Tin Angel Records
Release: 14 July 2008
The long-awaited third album from Sebastian Rochford’s trailblazing group does not disappoint. Polar Bear have recently been gigging material from the 75-minute disc, with themes varying from rich, reflective soundscapes to the frantic barrages of improvisation which captured the jazz world’s ears.
Leafcutter John’s electronic wizardry is more deeply embedded on the record than in live performances – he adds to the unpredictable nature of Rochford’s composition with an array of zaps, whirs, bursts of static and live samples that compliment the other musicians. The track “Industry” lives up to its name: clanking mechanical noise from John’s computer weaves a vibrant backdrop for the two saxophones’ finely-scored harmonic countermelody. Haunting vocals courtesy of Julia Biel feature in a couple of tunes, lending the band a Portisheadesque ambience on “Sunshine” and “Brian”.
As an artistic statement, Polar Bear seems calmer and more pensive than previous work. This intricately absorbing set possesses a new brand of vicious intensity. Rochford has solidified his position as a leading creative force in modern music.
< Published in London Tourdates, 8/8/08
posted by Frederick at 17:00
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